The 100 Greatest Songs of the 21st Century... So Far (Ranked by Martin Canine)
Approximately half a year ago, the biggest music magazine in the world, Rolling Stone, released a list called "100 Greatest Songs of the Century - So Far." For future readers, we're in December 2018, and the century in question is therefore the still-young 21st century, which began 18 years ago. Although still young, the dawn of a new era could be felt: first downloads, then streaming, took over global markets, some faster (USA) than others (Austria). Hip hop grew to dominate the charts, and a subculture called emo left a significant impact on mainstream culture.In the meantime, pop music, which used to be primarily a danceable genre, started incorporating influences from other styles and began addressing more serious subject matter. Even though it's debatable whether creating a list of "greatest" songs so early in the century makes sense, I think we can agree that enough has happened, and enough material has been released to justify picking favorites.
With the premise of such a list being justifiable, the 100 songs Rolling Stone selected for theirs is... solid, but not great. They consulted "artists, producers, critics, and industry experts," and I think their list accurately reflects pop culture with all important segments covered. Rolling Stone is not a subjective blog. Their goal is to represent a wider audience. Naturally, they focus on songs that are "great" by general consensus - either through a combination of success and public appreciation or wide critical acclaim.
As with previous lists by them, I noticed that whoever contributed to their selections has a questionable talent for choosing the wrong songs by the right artists. In my humble opinion, their number one song isn't even among the best by that artist. The singer in question also appears three times on my list, though only one of those songs overlaps with Rolling Stone's choices. Of course, the list is also centered around the United States and Great Britain, largely ignoring the rest of the world. But is it fair to criticize that? You naturally choose what you have access to, and in most parts of the world, American and British music is widely popular, in addition to local hits. This is the dominant trend, and if Rolling Stone aims to find something universally acknowledged, they will have to exclude some parts of the world.
That being said, I apologize if my version of the list is also imbalanced. Although it includes a wider spectrum of nationalities, it's still apparent that it's written from a Central European perspective. To create this list, I only considered my own music library. I am not a music magazine. If anything, you can call me a blogger. I don't know every song released in the past years. That's not to say I didn't spend a considerable amount of time on this project, sifting through the multitude of songs from the past 18 years that I've heard in my (admittedly young) life to identify those truly worthy of being called the best of the decade.
Genre was irrelevant - there will be pop, hip hop, symphonic metal, emo, and several nostalgic throwbacks to 60s soul. Most important was that a song is musically pleasing within its genre. Often, great lyrics or a special message further enhance its quality. Although my descriptions will highlight the impact of some songs, this is irrelevant to the ranking itself and merely adds context. Popularity or critical acclaim was not a requirement for my list, and I can reveal that my number one song wasn't even released as a single.
Rolling Stone included songs from the year 2000. I didn't. One reason is that it would be factually incorrect (the 21st century started in 2001), though it's understandable to include the first year beginning with a "2" for completeness. However, another reason for my choice is that including 2000 would mean excluding more great songs from subsequent years due to limited spots. Still, to acknowledge 2000, here are some songs from that year that likely would have made my list if included (listed alphabetically by artist):
- Björk feat. Thom Yorke - I've Seen It All
- Eminem feat. Dido - Stan
- Kōji Wada - Target akai shōgeki
- Kylie - Your Disco Needs You (Casino Mix)
- M2M - Mirror Mirror
- R. Kelly - I Wish
- Rednex - Spirit of the Hawk
- Robbie Williams - Supreme
- Within Temptation - Deceiver of Fools
So, here are my 100 picks for the greatest songs of the 21st century so far, presented in reverse order to keep things exciting. For song details and write-ups, refer to the main list.
100. Natasha Bedingfield - Soulmate
99. Mary J. Blige - No More Drama
98. Gossip - Heavy Cross
97. Amy Macdonald - This is the Life
96. Justin Timberlake - What Goes Around… Comes Around
95. Kylie - Red Blooded Woman
94. Beyoncé - Formation
93. Britney Spears - Toxic
92. P!nk - Stupid Girls
91. M2M - Leave Me Alone
90. Scissor Sisters - Laura
89. Anastacia - Pieces of a Dream
88. Rihanna - American Oxygen
87. Kollegah - Bossaura
86. Britney Spears - Everytime
85. Nelly Furtado - Explode
84. Shakira - Don’t Bother
83. Green Day - 21st Century Breakdown
82. Nickelback - Believe It Or Not
81. Wir sind Helden - Gekommen um zu bleiben
80. Xavier Naidoo - Europa
79. The White Stripes - Seven Nation Army
78. Jay-Z & Kanye West feat. Frank Ocean & The-Dream - No Church in the Wild
77. Nightwish - Feel For You
76. Vanilla Ninja - Corner Of My Mind
75. Panic! at the Disco - Lying is the Most Fun a Girl Can Have Without Taking Her Clothes Off
74. Seiler und Speer - Ham kummst
73. P!nk - Don’t Let Me Get Me
72. Eko Fresh - Köln Kalk Ehrenmord
71. Ciara - Like a Boy
70. Amy Winehouse - Back To Black
69. Marija Šerifović - Molitva
68. Xavier Naidoo - Sie verdienen einen besonderen Schutz
67. Unheilig - Feuerengel
66. Madonna - Love Profusion
65. Paramore - crushcrushcrush
64. Christina Stürmer - Ich lebe (2005 Version)
63. t.A.T.u. - Нас не догонят (Nas Ne Dagoniat)
62. Christina Aguilera - Twice
61. Herbert Grönemeyer - Mensch
60. Juli - Perfekte Welle
59. Fall Out Boy - The Carpal Tunnel of Love
58. Lana Del Rey - Summertime Sadness
57. Jamala - 1944
56. Evanescence - Everybody’s Fool
55. Stromae - Papaoutai
54. The Black Eyed Peas - Shut Up
53. Rihanna - Love on the Brain
52. Lana Del Rey - Salvatore
51. Muse - United States of Eurasia
50. Beyoncé feat. Kendrick Lamar - Freedom
49. Duffy - Warwick Avenue
48. Harry Styles - Sign of the Times
47. Adele - One and Only
46. Dat Adam - Sanageyama
45. Gorillaz feat. De La Soul - Feel Gone Inc.
44. Backstreet Boys - Incomplete
43. The Black Eyed Peas - Don’t Phunk With My Heart
42. Sarah Connor - From Sarah With Love
41. Annett Louisan - Das Gefühl
40. Nena & Kim Wilde - Anyplace, Anywhere, Anytime
39. Gwen Stefani - What You Waiting For?
38. Anastacia - Left Outside Alone
37. Kanye West feat. Chris Martin - Homecoming
36. Lady Gaga & Bradley Cooper - Shallow
35. Cinema Bizarre - Lovesongs (They Kill Me)
34. Lupe Fiasco feat. Jason Evigan - Unforgivable Youth
33. Christina Aguilera - Oh Mother
32. Björk - Pagan Poetry
31. Jimmy Eat World - Pain
30. Kylie - Can’t Get You Out Of My Head
29. Annett Louisan - Das Liebeslied
28. Sarah Connor - Living To Love You
27. Rammstein - Donaukinder
26. Tokio Hotel - Don’t Jump
25. Cro - unendlichkeit (video edit)
24. My Chemical Romance - Helena
23. Robbie Williams - Advertising Space
22. Within Temptation - Angels
21. Beyoncé - Listen
20. Nightwish - The Poet and the Pendulum
19. Eminem - Sing For The Moment
18. Lana Del Rey - West Coast
17. Macklemore & Ryan Lewis - Wing$
16. Ben feat. Gim - Engel
15. Linkin Park - What I’ve Done
14. Adele - Set Fire to the Rain
13. Xavier Naidoo - Dieser Weg
12. Vanilla Ninja - Blue Tattoo
11. MC Solaar - La vie est belle
10. Adele - Rolling in the Deep
9. Conchita Wurst - Rise Like A Phoenix
8. Coldplay - Paradise
7. Ich + Ich - Du erinnerst mich an Liebe
6. Ben Moody feat. Anastacia - Everything Burns
5. Madonna - American Life
4. Hozier - Take Me To Church
3. My Chemical Romance - Welcome to the Black Parade
2. Rammstein - Mutter
1. Nightwish - Ghost Love Score
Year: 2004
Length: 10:02
Album: Once
A ten-minute epic, the orchestral "Ghost Love Score" takes you on a journey that delivers the excitement of a full-length feature film. The song has segments of quiet beauty, as well as tragedy, horror, and sheer glory.
Tuomas Holopainen composed a piece of rock music that rivals the great classical symphonies, brought to life by Tarja Turunen's soprano vocals and the majestic instruments of the London Philharmonic Orchestra. Nightwish has repeatedly delivered masterpieces of modern symphonic rock music ever since their debut, but this song represents the peak of their potential.
Year: 2001
Length: 4:32
Album: Mutter
That Rammstein could deliver poetic and melodic music alongside their trademark, cleverly provocative Neue Deutsche Härte songs was hinted at in their two previous albums, but it was the title track of their third record that truly showcased the band's emotional depth.
The story, about a clone that was artificially born and feels utter sadness and rage for the mother he never had - leading to a tragic end, including a symbolic murder-suicide - was inspired by Till Lindemann's and Richard Kruspe's own troubled relationships with their mothers. ("Muttermal" means "mole" in German, but literally translates to "mother's mark.")
Year: 2006
Length: 5:11
Album: The Black Parade
Often, a concept album has a very strong opening song or ends with a grand finale, but the best moment on The Black Parade is the semi-title track that kicks in at number five on the tracklist. Possibly the ultimate emo song ever written, "Welcome to the Black Parade" combines the triumphant aesthetics of a marching fanfare, the rock and roll spirit of punk, and a chorus that can compete with any pop tune.
The Beatles, Pink Floyd, and Queen are cited as major influences for the album. Especially the latter's impact can be felt on the song, while still staying true to My Chemical Romance's own personal style. An important moment in the storyline, the Patient (the album's protagonist) relives a childhood memory of visiting a parade with his father.
Year: 2013
Length: 4:02
Album: Hozier (2014)
Hozier wrote "Take Me to Church" as a response to religiously motivated hatred toward LGBTQ+ people. The song itself can be applied to all forms of loathing aimed at couples who don't receive the appreciation of closed-minded people and are condemned as "sinful."
Hozier makes it very clear where he stands: his idea of a church is based around embracing all forms of love and viewing sex as something natural. Like every great song with powerful lyrics, it's supported by stunning music - this is modern soul at its most perfect.
Year: 2003
Length: 4:57
Album: American Life
Long before Lady Gaga and Kanye, Madonna showed that a single could be both experimental and challenging in its content, while still being a huge hit - except in the USA, where Madonna's songs were banned from radio after her harsh criticism of George W. Bush.
In 2003, the Queen of Pop unleashed an angry arsenal of unpredictable siren-like synths, folk guitars, bizarre vocal filters, and one of the best rap verses ever performed by a non-rapper. Lyrically, she obliterates modern society's obsession with superficial status symbols amid the chaos of the Iraq War era.
Year: 2005
Length: 3:41
Album: Fantastic 4 - The Album (compilation)
Often, great movies and great soundtracks go hand in hand. In this case, the theme song outdoes the mediocre film it originates from by universes. Former Evanescence guitarist Ben Moody wrote the angsty ballad about a woman feeling suppressed, who will ultimately demonstrate her power to the world, and also performed part of it. However, the spotlight belongs to Anastacia's gripping voice, which seems to embody every bit of the emotion she sings about.
Year: 2005
Length: 3:33
Album: Ich + Ich
In 2005, the singer-songwriter of a legendary German '80s new wave band teamed up with a former member of a short-lived, barely successful boy band. Together, they enchanted the music world of the late 2000s with a wide spectrum of influences (most notably soul and indie rock) and poetic lyricism.
"Du erinnerst mich an Liebe" is one of the most honestly bittersweet songs of the century. It tells the story of a man who has been depressed for a long time and lost all joy in his life, but meets someone who reminds him of a time when he knew love. The heavy strings and Adel Tawil's alternating between apathetic and desperate vocals make it hard not to shed a tear.
NOTE: The audio sample is an acoustic live version. The original studio recording was not available.
Year: 2011
Length: 4:37
Album: Mylo Xyloto
Sometimes, we wish we were somewhere else. The world can grow too difficult for us to handle, and we begin to dream. "Paradise" captures this feeling of escaping reality and losing yourself in imagination like no other song.
Not only due to its lyrics ("Life goes on, it gets so heavy / The wheel breaks the butterfly / In the night, the stormy night, she closed her eyes"), but because its vivid, fresh soundscape of strings, pianos, and synths paints a truly mind-blowing picture for us, no matter how we envision our own paradise.
Year: 2014
Length: 3:04
Album: Conchita (2015)
When a song single-handedly revolutionizes LGBTQ+ representation and acceptance in an entire country, and becomes a highly symbolic, Europe-wide hit after its Eurovision Song Contest win, you know it's an iconic moment of the decade.
But even if none of this had happened and the song went unnoticed - damn, did you hear what a massive track this is? Elegant and classy, it starts with a vulnerable verse sung by a beaten person, and evolves into an anthemic arrival of the almighty phoenix, with a full-blown orchestra and power in every note - all within three minutes. But the fact is, it was a hit, and when the queen entered the stage, it moved the European LGBTQ+ communities. "You threw me down, but... I'm gonna fly!"
Year: 2010
Length: 3:49
Album: 21 (2011)
Earlier this year, a great legend left this world when Aretha Franklin died. But as long as we have Adele, we can be sure the spirit of soul will live on for generations to come. A powerhouse of a singing talent, she possesses both the sensitivity and the swagger, along with the ability to hit the right notes even at full throttle, that it takes to convey the feel of a great diva of soul.
And most importantly, she never hides her skills behind stomping club anthems or superficial pop numbers. Her biggest and best song (yes, sometimes both can apply), "Rolling in the Deep," would have worked 50 years ago next to tunes like "Respect," just as it did in the early 2010s. It sure as hell will continue to work for years to come.
