Best Guitar Amplifier Brands
The Top Ten
Been playing guitar for over 30 yrs now. And I have played them all. If your into rock. Rock n roll, hard rock, metal, grunge, thrash. There is no better amp out there. Plain and simple. You get the most massive chucking when doing rhythm and the best screaming solos and pinch harmonics from the marshall. And they are built to last a life time. Line 6 is a poor imatation of a marshall and a fender. There a amp for a youngster to play around with. How many pros on your T.V. do you see using marshall. There's a reason for it. Marshall is the best and will always be.
I've only been playing guitar for 3 years but it seems like no matter what I do no matter what pedal I use I just can't get that real band sound like the heavy rock bands do on recording but when I tried a marshall that all went away. Marshall has the perfect distorted sound (overdrive) and for the price ha you just can't beat it. I'm getting a mg100fx half stack and it all totals out to only $400 plus this amp can get so loud you can play in a bar or club with only half volume
I've played a handful of different amps, all being about the same "size", and Marshall is the one that moved me the most. Whether I was plugged in with my Les Paul or my strat, it gave me the tone I was looking for. This may sound weird, but when I first played on a Marshall amp, I was hooked because of the feel it gave me. It just "fits" for me.
Marshall are king when it comes to stacks and rock where fender leads with combos. Marshall offer a wall of sound with punchy lows, strong mids and aggressive highs. But it's not all shrill highs,dial back the trebble a little and you can also get really nice cleans and some real grunt as the crunch sets in. The classic Marshall sound is so coveted that there the market is saturated with imitators.
OLD Fender amps good but this NEW Fender are cheaply made over priced amps. Fenders are nothing but junk having thin PCB board, cold solder joint, and fire sale parts. I am not an electrical engineer but my friend is after repairing MY Hot Rod Deville Larry remarks were “this is some of the worst work on circuit board he had seen while fixing the piece of... Wow. I have owned many fenders, Twins, Deluxe Reverb, Fender Bassman, Fender Showman and today fender are not the same? I would take a Marshal even Low end stuff is better than the stuff coming from Mexico. Marshall is not over rate just pricey. Mesa Boogie, Rivera Good quality, Own an Egnater Sweet amp, Vox made in England Hand wired only, 65amps Bubba amp. Peavey Classic 30 II 1x12" you cannot kill 30-Watt Tube Combo or Rolland amps any of these amps are much better than a fender.
You could not give me another New Fender if you did I would sell it...JUNK... LINE 6 is tinker toy many good amps on the market but it looks ...more
People sometimes don't really know what they want and use other brands of amps. They haven't found their sound yet and kind of trying other stuff or heard someone or some artist talking of using it and try. But that is not good enough and then they try a Fender. With a Fender you can create your own sound whether you are using pedals or just using the amp and the guitar. A true wonder for every player. Fender's just the best
Definitely agree that Fender should be number one. Marshall is over rated, and fender brings the tone way better then a Marshall hands down. Marshall makes you pay for their name, fender only charges you for the amp components and the time tested fender quality. Why do you think so many amp companies try to replicate the fender tone?... Because its awesome and blows peoples minds!
What is wrong with peoples minds, #6, I meen marshall is best and vox deserves to be up there but fender should get at least 3rd. I have been playing guitar for over 10 years and I am always amazed by the quality in all of fenders amps marshall is a little bit better and you could argue that vox is, but its miles above line six. When I do gigs I use my marshall, but for my students I always recomend a mustang.
I have owned a Mesa Boogie Dual Rectifier for 5 years now and couldn't be happier! Granted, the amp took a long time to dial in my perfect tone, but it was a good way to familiarize yourself with the amp. If you want cleans, crunch, distortion, and a wall of gain that is big enough to destory small islands than this is the perfect amp. Not to mention, the customer service is out of this world! About a month after purchasing the amp Mesa Boogie called to make sure everything was okay and I was enjoying the amp. They also ask you to take a questionnaire on how the sales person performed. Great company, Best amps.
I have owned Fender amps and Line 6 amps and while they have been "ok" amps, none of them come close to my newly acquired Mesa Mark V 90watt and 4� - 12 rectifier cab. Amp is super versitile and the time is out of this world. I knew I'd hit the jackpot the first time I plugged up to one. Mark V pairs nicely with my variety of guitars including PRS Holcomb sig, Fender Tele and Strat, Schecter Hellraiser, and Epiphone Les Paul. There's a tone in there for everyone, every guitar and every style of music... you just have to be willing to sit down and get to know the amp. Mesa Boogie is definitely the brand for me so I cast my vote in with them. Great company with quality amps and super friendly/helpful custom service.
I have owned the same Maverick duel rectifier since 1996 and still playing strong. I have had Marshall's and Fenders but once you go Boogie there is no going back...they are by far the best amp. Once you have one, it will spoil you...
I've played through Marshalls and a couple of years ago used a lent Italian The Valve, with great sounds and great craftmanship. It is a real piece of amp art. I recently bought a Mesa Boogie Mini Rectifier 25 and I can assure anyone Mesa Boogie is a marvel. I'd say it's hard to set a definite boundary between great sounding all-valve amps, including Fender and Vox, but my personal taste goes for Mesa Boogie as number one.
Vox ac15c1 with the alnico blue really is a great sounding amp. It really lets the characteristics of the guitar stand out. Great for blues, rock, country and takes pedals well. The amps low wattage enough that there isn't much need for an overdrive pedal other than a ts808 for added sustain. I've had Marshall, Mesa, Soldano, Fender there is something special about that Vox chime.
Vox ac30 just has that bite that the other amps can't bring. This amp can take any pedal with ease. I've never played a better amp than this one. Marshall and Fender both have fantastic amp but for me the unique sound vox gives is worth more than both of them combined!
How Mesa Boogie beats Vox, I don't know. Although Mesa Boogie is good, Vox defines the sound of countless rock bands, including but DEFINITELY not limited to The Beatles, Queen, The Rolling Stones, and The Who. Vox should definitely be in the top 3.
I got the big one for christmas and the effects are AMAZING! The sound is a lot better than my old amp too. It also isn't too heavy for it's size. Then add the fact that it is super duper loud too!
Best amp on the market. Made one at a time, point-to-point wiring. Great designs like the dual output stage combos. Take pedals exceptionally well. LOUD! A 9W will blow you everyone out in small bars/clubs. Simply the best.
Tons of big name pros use this, it's such a great studio amp (very common in the studio, all though quite a lot of people don't know about them). You're probably hearing them, but just don't know.
Boutique need I say more?
Best amp I've ever used. C 9/15
Orange amps, where do I even begin? These are killer amps at every price point! I owned a crush 35rt and that thing could SING! From sparkly, buttery cleans to gritty, punchy dirty sounds, Orange is the only brand of amp you ever really need. They are highly underrated, they can do it ALL. When I went to GC I was intending to purchase a Vox Valvetronix but it wasn't the sound I was looking for. I spotted a pretty orange amp (my first time knowing about Orange) and told the salesman that I wanted to try it, he made a face and said "Ah you don't want that" and tried to sell me a 15 watt Bugera tube amp (sounded awful) I got my way in the end and tried out the orange. As I played through the amp the guy says "man this amp actually sounds GOOD" like he couldn't believe it. How can you write something off when you've never even tried it? I feel like that's the approach most guitarists have when it comes to non-popular brands like Epiphone, Orange, Laney, Behringer, Squier etc.
Still owned by the original founder. Focus has always been on nailing their own tone. They do their own thing and I respect that!
Even though the Orange Amps were still neither of the Top of of all lists because the Fender and the Marshall are amongst well known amplifiers for its individual claims in both patent and innovated in each technologies, (Fender corporation claims its first solid body elecric guitar to been market in mass productions and patents, whilst the other one Marshall claims either in terms truest guitar amplifications that also in mass production, so on Marshall claims a patent innovation itself and both of them were been a major direct suppliers on every famous music artists in every decades of music revolutions, on the other hands, the top spots of their hardship innovations were be at their hands, until to theIR last steps of their innovations, let the famous artists decide their demand at their hands whilst on the other side, Orange produces amps with considering a reasonable market on its considerably fine quality products because, the top spots were be still at working, and it means, ...more
Great amps! These amps are very versatile, and can play just about anything you want. They are made with great materials, and will last nearly forever. Even the cheaper, smaller models are built with solid wood. Orange amps should definitely be higher up on this list because they sound great, are built well, and are affordable
Randall deserves to be up here in this list. Don't get me wrong, they've got a lot to contend with, in Orange and Mesa Boogie in particular, but Randall have always crafted excellent amps. Rugged build and vast tonal opportunities make this brand a mighty force, I mean they were good enough for Dimebag Darrell and countless others, enough said really...
I have a rg75g3 plus amp and it has to be one of the best amps I've used, I also had a blackstar amp but the randall was far better in terms of build quality and overall tone. Plus they were used by dimebag. Why aren't they higher up the list?
Randall Dime use by Dimebag Darrell PANTERA n Randall KH use by Kirk Hammet Metallica, this two model amp is the very best sound amp guitar in world...
Try the new Randall Satan guys...
Over the years in my travels, I've seen more Peavey amps on real working musicians' stages than any other amp manufacturer. The fact that real, everyday working musicians use and depend on them also dictates that Peavey amps are out there making more money for real working musicians in total, than any other amp out there. Yes, I know, the big act shows have huge backlines of Marshalls behind them, but they are in the minority, as there are more lesser-famed bands and musicians out there working than there are "stars". I "stepped down" to Peavey almost 20 years ago, when I was beginning to have reliability issues with my Fender amps...issues I couldn't afford to keep having while on the road. I still have my old Fender amps, but I've been gigging regularly and exclusively with only Peavey for the past almost 20 years now. I still get the tone I want and need and the reliability I expect in order to keep making a living in music. And by the way, I've been gigging since 1963.
There are lot of great amp out there, but there are overpriced. Peavey prove they can do almost as great as other for a really more decent price. Moreover, they have great features and technical improvement that the "classic" manufactureres avoid to be focus on vintage sound and their reputation... The bandit 112 is a bargain. The valveking series was great budget valve amp for metal. Classic 30 and 6505 are interesting too. Vypr series was also great but it seems their recent series have issues... Anyway they build great amp and doesn't scam people as others do... check it out!
So I had never heard the name before but the logo is hard to forget... my only problem with them is the Undercover Boss episode where Kyle Simmons (son of owner and chief operating officer) went undercover as Courtland Grey and after a melt down in Hollywood decides to close the company (per the internet its Courtland Grey who is real and no mention of Kyle Simmons but I know what I saw)... Sad
Best choice for rock and metal, the peavey bandit is probaby the best all around amp that is not tube. I don't personally like tube amps but for those who do this amp does clean tone very very well as well as bone crushing distortion. For $350 and is 80watts this amps is the perfect gig amp but be sure to hit the gym, I had one of these and the amp is like 50 or 60 pounds.
It's usually integrated with BOSS system effect and of course its portability. Although its small power consumption but its enough to make whole your house get 'bang'! And so the neighbour!
Roland amps r totally I love them they make my school stage shaken and it is 100% better than peavy I had a peavy but I wasn't, t satisfied so I bought a Roland n it fullfilled my wish I LOVE ROLAND!,!
Roland makes one hell of an amp I've had my cube 80 watt for a long time works grate
I love my roland amp I have had my 80 watt cube for a long time works very will
Been playing professionally for 20 plus years. Played Marshall, I love, and crates for a time...loved them too. My Marshall failed one night at a show, so I borrowed a buddies blackstar whom was playing in the opening act. I was sold. I have a id260 that I gigged with for a while, but missed that tube sound and feel. I now gig with a ht stage 60. Best amp I ever used. Pure tube tone...
I tried the Laney, H & K, JCM (Marshall), Peavey 6505 and the Eddie Van Halen 5150 when shopping and I purchased the Blackstar Club 50. I do like Marshall tone but it was too pricey. Blackstar has almost identical tone but what I really like is the ISF technology. Basically you can make this head more British (Marshall) sounding or more warm American (Fender) sounding. I play in a cover band and this amp has more versatility than the other amps. I can quickly dial up a hard rock metal sound, alternative, or clean bluesy sound. I have 70's fender combo that this replaced. I love the sound of the fender but the Blackstar has more versatility for what I play. It has 2 settings for clean, dirty and reverb channels. All other heads just feel like a "one trick pony" after using Blackstar. They seem to know what they are doing. Marshall and Fender seem to just ride their 60 year trend. Blackstar are innovators.
I can't believe this! Blackstar are designed and built by retired Marshall professionals and they have every last bit of knowledge on tube amps, heads, and combos. I own a Blackstar HT-1R, it is 1w but it feels like 100w just the way the Blackstar team have combined their ideas and structures and balanced it out with tubes. And line 6 is further up the list? You are mistaken bro. Another thing. These are bloody expensive and aren't very well known but Two Rock make probably the GREATEST amps ever made and I would kill to fire one up!
One of the best and most affordable gigging amps I have ever played. Blackstar accommodates all styles and budgets and should be in place of line 6. Too many people want traditional tone, but Blackstar brings a new edge to the table and builds extremely reliable tough as nails amps with new ideas like the ID series amps, I own an ht40 and am extremely impressed. Get one.
I tortured a 50W AOR head for over a decade in the 2000s, 50-70 gigs per year. The amp was awesome and it did not have any hiccups during the way. I don't know about new ones but Laneys around the late '80s - early '90s must be among the most reliable amps in production.
Laney is great, I have an Ironheart and that's a competitor for the Pearl 6505+. The Peavey lacks so much compared to the Ironheart as it has 3 channels with 2 separate EQ's (rhythm and clean share an eq) along with a built in pre boost its super versatile and robust. Laney make great amps.
OFC! Laney one of the best amplifier brand, most of famous band in our country used Laney next to Marshall. Small gigs, Big Events etc.
Laney do make remarkable amplifiers. Killswitch Engage use the Laney Ironheart and I believe their tone is very near perfect.
I can not believe Ulbrick Amps are not number 1
Apart from the Divided by 13, which I would say is a close second to Ulbrick amps, the others above are pretty ordinary. (in my humble opinion)
It's the only amp you'll ever need.
Line 6 have produced some of the best amps with amazing built in effects like the spider IV its an amazing amp I play a spider II and I absolutely love it sounds great for my style just cause most line 6 amps aren't tube amps doesn't mean they're not good amps.
Line 6 amps are awesome. Their spider model has amazing effects but the only thing about this amp I don't like is that pedals don't sound that good in this because of all of the cool effects it already has
I have a 75-watt Spider and it is the best amp ever. Really loud, great manual and preset effects, easy looping, and you can also use it as a speaker for your iPod or computer.
I have a line 6 spider jam 75 watt. Best amp ever. Has all the effects you need for every song. Just amazing what technology it has.
I have played crate amps for years they are reliable and are a key part of my tone. But when it comes down to it the best amp is the amp sounds good to you and that you feel comfortable playing.
I think it is a phenomenal amp. I own the fw 65 combo amp and it is one loud amp suitable for stage performances
I have two Crate amps GX65 connected in stereo via line 6 helix pedalboard, my tone is unique. Great amp for the price.
Have to be in the top 10 at least if not top 5
I've played a krankestein+ and It rocks! Very warm with good cleans. Perhaps I need to try another krank reference to be more accurate, but krankestein+ sound give a good reference of this brand.
The high gain high-rollers, not ahead of a Mesa, but near the same level. Krank's power level is over 9000!
Bought a Tubemeister 18 Twelve about three years ago. Love the size, and options of this amp. Primarily use it at home. Replaced a Fender and a Marshall combo amps with this one. Really like the sound, but recently blew a power tube as well as a fuse, and capacitor as a result. Replaced the Chinese power tubes with JJ's, when professionally repaired. All seems well, but wonder about the reliability of this amp in the long run. My tech recommended changing the tubes every year or two, especially if using the power soak feature. Running it really hard by doing so. Also, read that it generates more heat inside the cab (no vents. closed back). Overall still like the amp, but after dropping $200 to repair, after spending $800 on the amp.. having second thoughts of long term reliability. Not using the power soak very much any longer, and keeping a better eye on the TSC (tube safety control)... not sure if it actually did what it is suppose to. To me... less features and simplicity could be ...more
I've got a hk switchblade 100 with the matching 4x12 cab with v 30s. It doesn't seem to be the most popular brand but I've made many fellow musicians playing duel rectifiers or 5150s drool over the tone. The veristility is also top notch.. I can go from twangy country to face melting metal tones with the click of a switch.
Own a switch blade 100 halfstack.
Extremely verstile from mellow blue rock to tasty gain death metal. Includes a number of effects and 4 channels. Although old news now since being replaced by the coreblade, still an amazing amp. The higher up models are even more spectacular.
Got a Statesman dual EL84 ("vintage" flavored combo) and love it. The brand is more into "modern" sounding amps. I don't think HK can be on par with the true classics but rank 18 is ridiculous. It deserve to bo be in the top ten.
Their amps sound great and their new infinium technology has fixed their issues. I really don't care that their amps are just half priced versions of pricier models. The way I see it, if I can get a great tone, the ability of a Peavey Triple X II, and at half the price, I'm going to go for it.
333XL-INFINIUM for the win!
I have the 333 Infinium Head and it is simply amazing how good it is. The TONE is so great on EACH of the 3 channels. I have it since 2 years now, I travel a lot with it.
I've owned a Bugera 333XL Infinium for 2 years and oh, my, god. Amazing tone, amazing sound. I couldn't be happier. Great amp for the price and great for heavy stuff.
I just purchased a Vintage 55 HD... And plugged this baby into my 6505. I can't begin to tell you how great everything sounds... Amazing!
Engl has to be the most underrated amplifiers on the market. I have an engl gigmaster 15 and it is pure awesomeness. No fender cleans but if you want fender cleans buy a fender. The gain section is where this thing shines. I haven't used any kind of distortion pedal since getting this amp. More gain on tap than any Marshall I've ever owned or played. Getting ready to upgrade to the ironball and can't wait. If you like metal, hardcore, punk, grunge, sludge, doom you should look at an engl. This thing will even do blues extremely well without a ts9. It will take pedals very well as this is a 15 watt amp with an effects loop. Wow, right. Won't get that with a tiny terror. Plus these are German designed and built unlike the terror series built in China.
Why is ENGL so low? There amps are of a much better quality than line 6. Line 6 is just a computerised electronic unit with a speaker, whereas ENGL has the balls and umph of a real amp. My ENGL Powerball is amazing, quality build, built to last, and an amazing amount of tone versatility. I cango from 80s thrash to prog metal to blues easily with this amp, without losing that real sound and feel of valve. Very underrated amplifier company, highly recommend! And line 6 are for retards, an abundance of effects does not mean it is a good amp, its about the real vntage tone!
I have an old 1964 60watt Australian Goldentone which I love and will keep. Had a Marshall 800 Lead at one time (head and quad box) when I was in a band but let that go when I stopped gigging. I tried a 50W ENGL combo as I was looking for an amp that was easier to cart around than my old Goldentone and I was blown away with the sound and the build quality. The ENGL should be in the top ten.
Engl amps are maybe the most underrated amps there are. Good for everything. Cleans aren't bad but if you are looking for fender cleans buy a fender. More gain than needed. I got a gigmaster 15 and it rocks. Built in power soak. Effects loop as well. Tiny terror can't touch it.
Come on Eddie is a master at tone, and the 5150 series is incredible.
Amazing clean sound even through the distorted channel
Organic cleans and big fat heavy tones
Eddie is the best of all time
They're not that great but my neighbor has one- I played through and its pretty good
I live to love them
The best, wort the money. hard to find a used one, if you buy one you'll keep it. there's nothing better than Soldano.
I used a Traynor 200 watt bass amp with 6-10" speakers in the 70s. Amazing amplifier. Ran a Fender Precision bass with nylon strings through it.
I stumbled onto a 1970's Traynor YBA-1 and it soon became my favorite amp. I still have my trusty old Fender Quad Reverb and a Traynor YVC-40, but the YBA-1 just seems to make my guitars sound so much better.
They should be in top 5.
Great acoustic amp
I have this amp and still good.
Great amp for the price,effects are OK for the garage
Player,perfect for use in the right venue all and all a
Sounds like... you're inside your ears :D
Hagen best money can buy, very good sound