Top 10 Best Guitar Amplifier Brands

The Top Ten
1 Marshall

I've played a handful of different amps, all being about the same "size", and Marshall is the one that moved me the most. Whether I was plugged in with my Les Paul or my strat, it gave me the tone I was looking for. This may sound weird, but when I first played on a Marshall amp, I was hooked because of the feel it gave me. It just "fits" for me.

Been playing guitar for over 30 yrs now. And I have played them all. If your into rock. Rock n roll, hard rock, metal, grunge, thrash. There is no better amp out there. Plain and simple. You get the most massive chucking when doing rhythm and the best screaming solos and pinch harmonics from the marshall. And they are built to last a life time. Line 6 is a poor imatation of a marshall and a fender. There a amp for a youngster to play around with. How many pros on your T.V. do you see using marshall. There's a reason for it. Marshall is the best and will always be.

Marshall are king when it comes to stacks and rock where fender leads with combos. Marshall offer a wall of sound with punchy lows, strong mids and aggressive highs. But it's not all shrill highs,dial back the trebble a little and you can also get really nice cleans and some real grunt as the crunch sets in. The classic Marshall sound is so coveted that there the market is saturated with imitators.

2 Fender

People sometimes don't really know what they want and use other brands of amps. They haven't found their sound yet and kind of trying other stuff or heard someone or some artist talking of using it and try. But that is not good enough and then they try a Fender. With a Fender you can create your own sound whether you are using pedals or just using the amp and the guitar. A true wonder for every player. Fender's just the best

Definitely agree that Fender should be number one. Marshall is over rated, and fender brings the tone way better then a Marshall hands down. Marshall makes you pay for their name, fender only charges you for the amp components and the time tested fender quality. Why do you think so many amp companies try to replicate the fender tone?... Because its awesome and blows peoples minds!

What is wrong with peoples minds, #6, I meen marshall is best and vox deserves to be up there but fender should get at least 3rd. I have been playing guitar for over 10 years and I am always amazed by the quality in all of fenders amps marshall is a little bit better and you could argue that vox is, but its miles above line six. When I do gigs I use my marshall, but for my students I always recomend a mustang.

3 Orange Amps

Orange amps, where do I even begin? These are killer amps at every price point! I owned a crush 35rt and that thing could SING! From sparkly, buttery cleans to gritty, punchy dirty sounds, Orange is the only brand of amp you ever really need. They are highly underrated, they can do it ALL. When I went to GC I was intending to purchase a Vox Valvetronix but it wasn't the sound I was looking for. I spotted a pretty orange amp (my first time knowing about Orange) and told the salesman that I wanted to try it, he made a face and said "Ah you don't want that" and tried to sell me a 15 watt Bugera tube amp (sounded awful) I got my way in the end and tried out the orange. As I played through the amp the guy says "man this amp actually sounds GOOD" like he couldn't believe it. How can you write something off when you've never even tried it? I feel like that's the approach most guitarists have when it comes to non-popular brands like Epiphone, Orange, Laney, Behringer, Squier etc.

4 Mesa Boogie

I have owned a Mesa Boogie Dual Rectifier for 5 years now and couldn't be happier! Granted, the amp took a long time to dial in my perfect tone, but it was a good way to familiarize yourself with the amp. If you want cleans, crunch, distortion, and a wall of gain that is big enough to destory small islands than this is the perfect amp. Not to mention, the customer service is out of this world! About a month after purchasing the amp Mesa Boogie called to make sure everything was okay and I was enjoying the amp. They also ask you to take a questionnaire on how the sales person performed. Great company, Best amps.

I have owned Fender amps and Line 6 amps and while they have been "ok" amps, none of them come close to my newly acquired Mesa Mark V 90 watt and 4 - 12 rectifier cab. Amp is super versatile and the time is out of this world. I knew I'd hit the jackpot the first time I plugged up to one. Mark V pairs nicely with my variety of guitars including PRS Holcomb sig, Fender Tele and Strat, Schecter Hellraiser, and Epiphone Les Paul. There's a tone in there for everyone, every guitar and every style of music... you just have to be willing to sit down and get to know the amp. Mesa Boogie is definitely the brand for me so I cast my vote in with them. Great company with quality amps and super friendly/helpful custom service.

5 Vox

Vox ac15c1 with the alnico blue really is a great sounding amp. It really lets the characteristics of the guitar stand out. Great for blues, rock, country and takes pedals well. The amps low wattage enough that there isn't much need for an overdrive pedal other than a ts808 for added sustain. I've had Marshall, Mesa, Soldano, Fender there is something special about that Vox chime.

I love my Vox ac15c1 ok its not an original but its still the Vox sound to me. I love how the tone and volume controls interact in a way that is really confusing if you come from the Fender world. It's really its own thing, a circuit that likes to do things its own way and it loves to be overdriven and ping. Also, greenbacks forever!

Vox ac30 just has that bite that the other amps can't bring. This amp can take any pedal with ease. I've never played a better amp than this one. Marshall and Fender both have fantastic amp but for me the unique sound vox gives is worth more than both of them combined!

6 Peavey

Over the years in my travels, I've seen more Peavey amps on real working musicians' stages than any other amp manufacturer. The fact that real, everyday working musicians use and depend on them also dictates that Peavey amps are out there making more money for real working musicians in total, than any other amp out there. Yes, I know, the big act shows have huge backlines of Marshalls behind them, but they are in the minority, as there are more lesser-famed bands and musicians out there working than there are "stars". I "stepped down" to Peavey almost 20 years ago, when I was beginning to have reliability issues with my Fender amps...issues I couldn't afford to keep having while on the road. I still have my old Fender amps, but I've been gigging regularly and exclusively with only Peavey for the past almost 20 years now. I still get the tone I want and need and the reliability I expect in order to keep making a living in music. And by the way, I've been gigging since 1963.

7 Randall

Randall deserves to be up here in this list. Don't get me wrong, they've got a lot to contend with, in Orange and Mesa Boogie in particular, but Randall have always crafted excellent amps. Rugged build and vast tonal opportunities make this brand a mighty force, I mean they were good enough for Dimebag Darrell and countless others, enough said really...

I have a rg75g3 plus amp and it has to be one of the best amps I've used, I also had a blackstar amp but the randall was far better in terms of build quality and overall tone. Plus they were used by dimebag. Why aren't they higher up the list?

Try the new Randall Satan guys...

8 Line 6

Line 6 have produced some of the best amps with amazing built in effects like the spider IV its an amazing amp I play a spider II and I absolutely love it sounds great for my style just cause most line 6 amps aren't tube amps doesn't mean they're not good amps.

I have a 75-watt Spider and it is the best amp ever. Really loud, great manual and preset effects, easy looping, and you can also use it as a speaker for your iPod or computer.

Line 6 amps are awesome. Their spider model has amazing effects but the only thing about this amp I don't like is that pedals don't sound that good in this because of all of the cool effects it already has

9 Roland

It's usually integrated with BOSS system effect and of course its portability. Although its small power consumption but its enough to make whole your house get 'bang'! And so the neighbour!

Roland Jazz Chorus (pick your size), enough said. The perfect pedal platform, it'll blow everything off the stage. You will never overcome its headroom.

Pure sound for jazz. Like it. Stronger and more reliable than any tube amp.

10 Blackstar

I tried the Laney, H & K, JCM (Marshall), Peavey 6505 and the Eddie Van Halen 5150 when shopping and I purchased the Blackstar Club 50. I do like Marshall tone but it was too pricey. Blackstar has almost identical tone but what I really like is the ISF technology. Basically you can make this head more British (Marshall) sounding or more warm American (Fender) sounding. I play in a cover band and this amp has more versatility than the other amps. I can quickly dial up a hard rock metal sound, alternative, or clean bluesy sound. I have 70's fender combo that this replaced. I love the sound of the fender but the Blackstar has more versatility for what I play. It has 2 settings for clean, dirty and reverb channels. All other heads just feel like a "one trick pony" after using Blackstar. They seem to know what they are doing. Marshall and Fender seem to just ride their 60 year trend. Blackstar are innovators.

The Contenders
11 Divided by 13

Best amp on the market. Made one at a time, point-to-point wiring. Great designs like the dual output stage combos. Take pedals exceptionally well. LOUD! A 9W will blow you everyone out in small bars/clubs. Simply the best.

Tons of big name pros use this, it's such a great studio amp (very common in the studio, all though quite a lot of people don't know about them). You're probably hearing them, but just don't know.

Boutique need I say more?

12 Laney

I tortured a 50W AOR head for over a decade in the 2000s, 50-70 gigs per year. The amp was awesome and it did not have any hiccups during the way. I don't know about new ones but Laneys around the late '80s - early '90s must be among the most reliable amps in production.

Laney is great, I have an Ironheart and that's a competitor for the Pearl 6505+. The Peavey lacks so much compared to the Ironheart as it has 3 channels with 2 separate EQ's (rhythm and clean share an eq) along with a built in pre boost its super versatile and robust. Laney make great amps.

Laney do make remarkable amplifiers. Killswitch Engage use the Laney Ironheart and I believe their tone is very near perfect.

13 EVH

Come on Eddie is a master at tone, and the 5150 series is incredible.

14 Hughes and Kettner

Bought a Tubemeister 18 Twelve about three years ago. Love the size, and options of this amp. Primarily use it at home. Replaced a Fender and a Marshall combo amps with this one. Really like the sound, but recently blew a power tube as well as a fuse, and capacitor as a result. Replaced the Chinese power tubes with JJ's, when professionally repaired. All seems well, but wonder about the reliability of this amp in the long run. My tech recommended changing the tubes every year or two, especially if using the power soak feature. Running it really hard by doing so. Also, read that it generates more heat inside the cab (no vents. closed back). Overall still like the amp, but after dropping $200 to repair, after spending $800 on the amp.. having second thoughts of long term reliability. Not using the power soak very much any longer, and keeping a better eye on the TSC (tube safety control)... not sure if it actually did what it is suppose to. To me... less features and simplicity could be a better thing.

15 Bugera

Their amps sound great and their new infinium technology has fixed their issues. I really don't care that their amps are just half priced versions of pricier models. The way I see it, if I can get a great tone, the ability of a Peavey Triple X II, and at half the price, I'm going to go for it.

333XL-INFINIUM for the win!

I own three Bugera amps (V5, V22, and V55), and love them. They are reliable, have great tone for every genre, and look drop dead gorgeous, to boot.

I have the 333 Infinium Head and it is simply amazing how good it is. The TONE is so great on EACH of the 3 channels. I have it since 2 years now, I travel a lot with it.

16 Ulbrick

I can not believe Ulbrick Amps are not number 1
Apart from the Divided by 13, which I would say is a close second to Ulbrick amps, the others above are pretty ordinary. (in my humble opinion)

It's the only amp you'll ever need.

17 Crate

I have played crate amps for years they are reliable and are a key part of my tone. But when it comes down to it the best amp is the amp sounds good to you and that you feel comfortable playing.

I have two Crate amps GX65 connected in stereo via line 6 helix pedalboard, my tone is unique. Great amp for the price.

I think it is a phenomenal amp. I own the fw 65 combo amp and it is one loud amp suitable for stage performances

18 Engl

Engl has to be the most underrated amplifiers on the market. I have an engl gigmaster 15 and it is pure awesomeness. No fender cleans but if you want fender cleans buy a fender. The gain section is where this thing shines. I haven't used any kind of distortion pedal since getting this amp. More gain on tap than any Marshall I've ever owned or played. Getting ready to upgrade to the ironball and can't wait. If you like metal, hardcore, punk, grunge, sludge, doom you should look at an engl. This thing will even do blues extremely well without a ts9. It will take pedals very well as this is a 15 watt amp with an effects loop. Wow, right. Won't get that with a tiny terror. Plus these are German designed and built unlike the terror series built in China.

Why is ENGL so low? There amps are of a much better quality than line 6. Line 6 is just a computerised electronic unit with a speaker, whereas ENGL has the balls and umph of a real amp. My ENGL Powerball is amazing, quality build, built to last, and an amazing amount of tone versatility. I cango from 80s thrash to prog metal to blues easily with this amp, without losing that real sound and feel of valve. Very underrated amplifier company, highly recommend! And line 6 are for retards, an abundance of effects does not mean it is a good amp, its about the real vntage tone!

19 Ibanez

I live to love them

They're not that great but my neighbor has one- I played through and its pretty good

20 Diezel
21 Traynor

I used a Traynor 200 watt bass amp with 6-10" speakers in the 70s. Amazing amplifier. Ran a Fender Precision bass with nylon strings through it.

I stumbled onto a 1970's Traynor YBA-1 and it soon became my favorite amp. I still have my trusty old Fender Quad Reverb and a Traynor YVC-40, but the YBA-1 just seems to make my guitars sound so much better.

They should be in top 5.

22 Behringer

I have this amp and still good.

23 Bogner

I have the Bogner Shiva Combo plus Reverb and it has the best possible created sound someone can ever listen to... Excellent for Blues, Rock
Hard Rock...

24 Egnater

Recently I was in the market for a low watt 1x12 amp. My local music store had a good selection. I grouped an old Vox AC15, Fender Deluxe, Orange, and a PV around me. I used a PRS Custom 22 to try them out. After about an hour I decided on the Fender. The sales guy suggested I try one more amp. It was an Egater Rebel 20 head with an Egnater 1x12 cab. My reaction was instant! If you have not played one of these you owe it to yourself to check them out! I bought it and also a Rebel 30 1x12 Combo a few weeks later! They SING!

Been playing on a Rebel 30 head and 1x12 cab for about 2 years. Great tone and very durable. Good for medium gigs.

Have two egnater 112 cabs, great quality build, great looks and great sound!

25 Two-Rock

Bloody amazing. You got a real piece of machinery when you got one of these. They may not look like much but when you plug them in...
I would recommend this more than almost anything if you got the money.

Since I bought my custom reverb v2 I am finally satisfied and no longer search for the perfect amp. For me this is it.

Damn expensive yet somehow they still seem cheap for the value. Nothing like it, so versatile and barelyno sound you can't make with one.

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