Top 10 Most Underwhelming Grammy Winners
These Grammy victories were probably not that well-deserved, whether in retrospect or at the time of the win. There were often much better songs, albums, or artists nominated in the same categories.No disrespect to Macklemore, but I think Kendrick definitely should've won at least one Grammy in 2014. Plus Macklemore's chart success significantly declined after 2013, whether solo or with Ryan Lewis.
They won Best New Artist in 1990, but after it was revealed they were lip-syncing and not performing vocals on their songs, they were stripped of their Grammy, and rightfully so.
Absolute proof that trendy good looks and dancing ability are far more important than musical talent when it comes to the Grammys.
It's actually kind of cool that these two nitwits were able to fool the oh-so-sanctimonious Grammy voters.
"Layla" will always be a rock classic from 1970, but having its acoustic rendition win Best Rock Song over Nirvana's iconic "Smells Like Teen Spirit", which is arguably the most definitive rock song of the 90s, is just an insult.
I think Cardi B deserved her Best Rap Album win in 2019. She had fierce competition indeed (including Travis Scott, the late Mac Miller, and Pusha T), but I feel like some people are mad because she's a female rapper or because they are upset over Mac Miller's loss (no disrespect to Mac Miller, of course).
He swept everyone in four major categories in 1980, and it's still a mystery how he won all these awards. He was everywhere in the late 70s/early 80s, but he's not as iconic as Pink Floyd, who definitely should've won Album of the Year (with The Wall, for crying out loud).
We all love Ray Charles, and his death was a significant loss, but this Grammy win feels more like a lifetime achievement award. Also, Kanye West's "The College Dropout" definitely would have deserved to win.
They won Best New Artist over Elvis Costello, who definitely should've won considering he had a longer career. ATOH, on the other hand, are one-hit wonders, and disco was beginning to die out in 1979.
Even though Steely Dan were no longer relevant in the early 2000s, this album won Album of the Year over Eminem's "The Marshall Mathers LP" and Radiohead's "Kid A" in 2001. These two albums have become cult classics since, so one of these definitely should've won in retrospect. I guess the Grammys didn't want Em to win because of homophobic slurs in his lyrics. And besides, GLAAD was protesting against Eminem during that ceremony, and he responded by inviting Elton John onstage for a performance that has since become iconic.
This album won Best Hard Rock/Metal Performance in 1989 over Metallica, who definitely should have won because not only did they rule metal in the late 80s, but also because Jethro Tull is anything but metal.
The Newcomers
It won Best Dance/Electronic Recording in 2001 when most of the other nominated songs, if not all, were more deserving. If you're wondering, the other nominees were Eiffel 65's "Blue (Da Ba Dee)", Enrique Iglesias's "Be With You", Jennifer Lopez's "Let's Get Loud", and Moby's "Natural Blues" (which would have deserved it most). "Who Let the Dogs Out" is a fun and catchy song, but a lot of publications consider it to be one of the most annoying songs of all time as well.
Does anybody remember this singer from the late 90s? She may be known for songs like "Where Have All the Cowboys Gone?" and "I Don't Want To Wait", but she still won Best New Artist in 1998 over Puff Daddy, Erykah Badu and Fiona Apple, who have had successful careers and/or garnered critical acclaim in the following years. Paula Cole, on the other hand, faded into irrelevance, despite "I Don't Want to Wait" being used as the theme song for Dawson's Creek, which lasted 6 seasons between 1998 and 2003. At least she made a legacy out of the series despite her name having been forgotten about.
It won Album of the Year in 2008 over Amy Winehouse and Kanye West. It was just a Joni Mitchell tribute album, while Amy Winehouse's Back to Black was a game-changing record that is considered a classic to this day.
This soundtrack album is by no means bad, but the 2002 Album of the Year award should've gone to OutKast's classic album "Stankonia" or U2's massive comeback album "All That You Can't Leave Behind". Soundtrack albums are something for the Oscars or a specific Grammy category.
How this novelty song won Best Rock & Roll Recording in 1966 over classic songs such as "Eleanor Rigby" by The Beatles and "Good Vibrations" by The Beach Boys is still a mystery to this day.
Despite its massive success, Falling Into You's Album of the Year win in 1997 still feels underwhelming to this day. 'The Score' by The Fugees definitely should have won in retrospect. That album was really groundbreaking for its time and is considered one of the greatest albums of all time by publications such as Rolling Stone.
As for 'Falling Into You', it's a good album, but it suffers the same flaws as many Céline Dion albums: it's bloated, too long, and slightly unfocused. At least it has great singles and a few good deep cuts.