Top 10 Things from the 20th Century that Majorly Jumped the Shark During the 21st Century

Granted, the 1990s Nick lineup wasn't really THAT great overall, but for cartoons alone, it gave us Ren & Stimpy (horribly written show, yes, but unbelievably brilliantly animated), Rocko's Modern Life (easily one of the top ten, if not top five, best all-ages satire shows ever. I really don't care what anyone else says), Hey Arnold (deeply relatable), Rugrats (also pretty deeply relatable), The Angry Beavers (one of the most underrated slapstick shows EVER), and Doug (the show that started it all).
And that's not even mentioning all of the live-action shows, most of which were also pretty terrible in the 2000s, believe me.
Now, moving on to the 2000s, we have Spongebob (great show but nowhere even near the writing level of Rocko or the artistic level of Ren & Stimpy), Jimmy Neutron (sorry to break it to you guys, but I probably wouldn't have developed my brain fetish in the first place if not for this ugly CGI dung-heap and Spongebob), Fanboy & Chum-Chum (needs no explanation), and Planet Sheen (also needs no explanation).
I mean, yeah, sure, we still had the occasional diamonds in the rough like Invader Zim (EASILY the channel's darkest and most sardonic show to date, and I say that even after watching the Fan Club episode of Ren & Stimpy), Avatar (literally anime by any other name), and Harvey Beaks (if only for its adorably innocent promotion and encouragement of autism awareness), but overall, it just isn't enough to compensate.

I normally don't like to beat dead horses here, but Michael Bay is a film director who (at least as far as these films are concerned) genuinely sucks with his stupidly oversized interpretation of Devastator's "ball bearings."

Pretty much all of the good stuff became relegated specifically to the extended universe surrounding the films, besides Episode III. Even then, it was still a pretty hugely "middle-of-the-road" type of good.

Cartoon Network and Nickelodeon switched places with the advent of The Loud House and Teen Titans Go, respectively.
Luckily, they seem to at least be somewhat recovering from it. Teen Titans Go, being as dreadfully abysmal as it is, notwithstanding.

Yes, honestly, even more so than Futurama. Technically, Futurama was from 1999, so making it count for this list is stretching quite a bit.


Well, the games are starting to recover from it, at least.
It slowly went downhill during the 2000s and was decent up until 2009, where another decline began.

The Newcomers



The whole timeline of this series is in chronic disarray.
The fanbase is at war.




I don't know. Something about Parappa 2 was just completely lacking the very distinctively one-of-a-kind "labor of love" charm of its predecessors, even if it WAS technically a much better game with music that was instrumentally composed in vastly more complex ways. The amount of features the game had when compared to previous sequel UmJammer Lammy (which was on PS1 as opposed to PS2, for Christ's sake) was also quite pathetic.
And after that game completely flopped, the series got merchandised and "kiddie-fied" literally to death and was never properly heard from ever since. Sad, I know.

Please tell me this is a popular opinion. No offense to the band, it just quite frankly strayed a bit too far from what traditional music is supposed to be for my liking.

Just another show about random Americans dressing up in costumes and beating up monsters. For the kids.

Sword and Shield were what killed most of my love for Pokemon.

Reality TV and bad use of politics. Enough said.
Until its revival (the releases of N. Sane Trilogy, CTR: Nitro-Fueled, and It's About Time), at least.