Top 10 Facts About Metallica's Album Ride the Lightning

Ride the Lightning was recorded and released in 1984.
The Top Ten
The album was recorded in 1984 at Sweet Silence Studios in Copenhagen, Denmark (drummer Lars Ulrich's home country)

The owner of Sweet Silence Studios is Flemming Rasmussen, who also served as the mixer, producer, and engineer for the album.

(I made a list about him and his studio - Top 10 Music Albums Recorded, Mixed, or Produced by Flemming Rasmussen)

All their equipment was stolen in Boston right before their flight to Europe. In Denmark, they had to borrow nine Marshall amps from local metal bands

The only things they had were their guitars. Thank God the other metal bands helped.

Flemming Rasmussen:
"James had this special Marshall amp that had been modified when he recorded Kill 'Em All. We had to get all the Marshall amps from some of the metal bands that were in Denmark at that time, so like nine Marshall amps, and spent the first day testing them. We actually recreated James' guitar sound on Kill 'Em All, but just beefed it up. He was really pleased with that."

We, the metal fans, also like the sound of James's guitar in this album. Many fans would agree that James probably got his best tone ever.

Metallica had to sleep in the studio because they couldn't afford a place to stay (they stayed in a room on the floor)

Flemming Rasmussen:
"They were young kids. We didn't have any problems with them staying at the studio. But you know, they were like kids are, I enjoyed it. We'd start recording at 7 at night and go on 'til 4 or 5 in the morning. So they'd just crash and sleep all day."

It's strange that Flemming Rasmussen was only 26 years old and he was only 4 years older than Kirk and Cliff, and 5 years older than James and Lars. But he talked about Metallica as if he was much older than them.

Kirk Hammett:
"It wasn't a particularly fun or happy time. But we were glad to be at a great studio in good working conditions. Everything else outside the studio was a struggle."

"Fight Fire with Fire," a song on this album, is the fastest Metallica song in terms of picking speed, featuring tremolo-picked riffs
Metallica picked Sweet Silence Studios for two reasons: Rainbow recorded their Difficult to Cure album there, and it was inexpensive

Rainbow's Difficult to Cure came out in 1981.

Kirk Hammett:
"We were really excited to be at Sweet Silence Studios because that's where Rainbow did Difficult to Cure. We were excited because we liked the sound of that album, and we were looking to get a similar sound for our album, using that studio and the same engineer, Flemming."

(Flemming is Flemming Rasmussen, the owner of the studio, mixer, and engineer.)

To make Cliff Burton feel comfortable, producer Flemming Rasmussen recorded Cliff's bass by putting his amp in another room while he played in the main room like he was onstage, with sound blasting from speakers
Metallica aimed for heavy sounds and big drum effects on this album

Lars Ulrich:
"Flemming was completely in tune to what we were doing. He was recording us with lots of ambiance, and we wanted heavy sounds and big drums."

Metallica finished three songs for the album in Mercyful Fate's rehearsal room, which was located next to Metallica's studio

Lars Ulrich:
"Mercyful Fate's rehearsal room was right next to Sweet Silence Studios. We actually finished the last couple of songs we did for Ride the Lightning - like 'Fade to Black,' 'For Whom the Bell Tolls,' and 'Escape' - in their rehearsal room. We were obviously huge fans of theirs, but we also became friends and they were our peers."

During their stay in Denmark, Metallica met Mercyful Fate and were surprised that they weren't "evil, satanic, human-sacrificing devil worshippers"

Kirk Hammett:
"It was a trip meeting Mercyful Fate because their music makes you think the guys are a bunch of evil, satanic, human-sacrificing devil worshippers. But in reality, they're all a bunch of goofy Danish guys. King Diamond had a bit of an aura about him, but you couldn't find a sweeter, more funny guy than him."

Neither Metallica nor Flemming Rasmussen seemed to like the song "Escape"

Funny how Escape is supposed to be a commercial song, and it went on to be the least known song on the album.

"Escape" is a song with a more commercial sound. Metallica probably played it live only once or twice.

Metal fans and Metallica fans aren't crazy about it either.

Flemming Rasmussen is a great metal producer and engineer. Even in the early 80s, he was completely aware of the nature and role of metal music. He believed that metal should not serve and please big audiences and labels. He said about this song:

"Metallica were on this small, independent label, so that was [the song 'Escape'] their way of pleasing a major label, so they could get signed. Luckily, they went away from that whole pleasing-a-record-label thing."

The Newcomers

? The "tolling bell" at the beginning of the song "For Whom the Bell Tolls" is actually Lars Ulrich hitting an anvil
? The recording of James Hetfield's acoustic guitar on "Fade to Black" was unconventional - they reversed the tape and recorded part of him playing backwards to create mysterious sounds
The Contenders
Either Cliff Burton or Kirk Hammett did not chant "Die! Die! Die!" in the studio

Flemming Rasmussen:
"I'm pretty sure Cliff didn't - well, it was Cliff or Kirk - but one of them just stood there moving his mouth. At one point, the other three decided not to sing, just to check it out, and either Cliff or Kirk didn't say a word."

The title Ride the Lightning was suggested by Kirk Hammett, inspired by Stephen King's The Stand

Kirk Hammett:
"I was reading The Stand by Stephen King, and there was this one passage where this guy on death row said he was waiting to 'ride the lightning.' I remember thinking, 'Wow, what a great song title.' I told James, and it ended up being a song and the album title."

Metallica managed their homesickness by making music and drinking Carlsberg beer

Kirk Hammett:
"We didn't really have anything else to do besides work on music and drink Carlsberg beer. We collected absolutely every single beer bottle in our friend's apartment, because you were able to take in four six-packs of empty beer bottles and get one six-pack of full beer bottles back. Once we figured that out, that was a little thing that we did. Being homesick gave us the right amount of, I don't want to say 'depression,' but a little bit of longing that I think made its way into the recording process."

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